Tag Archives: New Plays

TRIPLE CROWN ROUND-UP ROYALE

TRIPLE CROWN ROUND-UP ROYALE

Welcome to the first ever TRIPLE CROWN ROUND-UP ROYALE, that’s three round-ups, representing three new plays and their respective playwrights, PLUS the playwrights in the field that brought us all the tantalizing tidbits.  There you go, a TRIPLE CROWN ROUND-UP ROYALE.

April 7

ALMOST FREE by Tim Duncheon with reporting by Isaac Rathbone

George W.

George W.

Tim Duncheon brought us new pages from his play Almost Free which will be presented IN FULL on May 20th to close out the Soap Gets In Your Eyes reading play festival. Admission to these readings aren’t “almost free,” they’re COMPLETELY FREE! Anyway, Tim’s play is a hilarious farce about colonial medicine, American history and slavery.  It’s an edgy look at how much American race relations really haven’t changed in over 200 years. We all secretly wished that Tim was our “cool” college history professor. Maybe next cycle, he can start wearing corduroy blazers with elbow patches and say things like, “Don’t call me Professor Duncheon. You can call me Tim.”

Some highlights of the night included:

  1. Tim D cannot tell a lie: George Washington owned slaves. Think about that the next time you throw down a dollar bill at a restaurant or strip club.
  2. The play is set in Philadelphia during a yellow fever epidemic in 1793. Treatments included bloodlettings and eating bark. Pssh. Thanks, Obamacare.
  3. Like Tim’s other plays, Almost Free featured a “man of mystery.” #wherearethewomen?
  4. Ike ordered a BLT from Mikey’s and again they made a mistake and he received a burger instead. Thanks, Obamacare.
  5. We had no feedback discussions regarding real estate. Nothing. The evening felt incomplete.
  6. One of the characters signed the Declaration of Independence. What have your character’s done lately?

April 14

POSTED by Brandon Marianne Lee with reporting by Matt Barbot

Emily Post

Emily Post

Whee!

This go-round we had the beginnings of a brand new play by our resident fantasy football fanatic femme fatale (that’s alliteration, for you English majors) Brandon Marianne Lee!

Posted is Brandon’s new play about the doldrums of the hyper-masculine corporate banking world, with all the fat jokes and casual sexism that it entails. Who better to shake things up than early twentieth century author and expert in etiquette Emily Post? (No one better, is the answer, in case you were wondering.

THINGS WE LEARNED

  1. In Brandon’s play, the company’s Lactation Room serves as a male-free refuge for the women to congregate and plot. In reality, they’re usually pretty bland and poorly decorated. We lamented that something as cool and important as a room devoted entirely to lactation could be treated as an afterthought. For shame!
  2. Brandon’s character Octavia is based on an actual living person named Octavia with whom Brandon works. Don’t worry, though! Octavia knows she’s being transmogrified into a fictional character, and will probably be at the reading! Come on out to meet the fake Octavia and the real Octavia and see if you can tell which is which!
  3. We had a minor disagreement about whether Brandon’s character Catherine had been possessed by the spirit of Emily Post, was pretending, or had experienced an emotional break. There were only minor injuries.

Come to the reading of Posted on Sunday, May 17th, at 1:00PM, but remember your manners and be on your best behavior.

April 21

HAGS, MOPES, AND THE END OF ALL EXISTENCE by Jen Browne with reporting by Amanda Keating

Chickens in a bathtub.

Chickens in a bathtub.

Last week, Jen Browne brought us the beautiful, strange story of Mopes and Hags, two folks long past their prime who, as they await the imminent destruction of the world and their accompanying demise, find an unexpected gift of biblical proportions on their doorstep. Mopes and Hags unknowingly contemplate the great questions of existence, all while gazing into the eyes of their former selves and keeping their family of chickens (yes, chickens) out of weather-related-harm’s way.

Things we learned?

  1. In the event of an earthquake, make sure the chickens are in the bathtub. …or is it a tornado?
  2. Some humans are sexually attracted to comets.
  3. What’s so bad about a hiccup: “They never amount to anything they just disappear and then everybody’s glad they’re gone.”

Like what you hear? Well you can hear it all if you come to the reading of Hags, Mopes, and the End of All Existence at 1:30PM on May 10. Just come! This play is beautiful and also very funny.

April 28….

Wow, wow, wow, let’s not get ahead of ourselves…Tonight we hear Natalie Wilson’s festival offering The Innkeeper and then that’s right it’s ALMOST FESTIVAL TIME!

SOAP GETS IN YOUR EYES: a festival of new plays runs May 10 through May 20 at Shetler Studios.  The full schedule and details can be found HERE.

Soap Gets In Your Eyes

See you there!!

The Monthly Wash Issue III Early Edition

Lather Rinse Repeat has a lot in the works this spring. In fact there’s SO much coming up in the next few months we wanted to give you the heads up on some April events asap and throw a last minute March must see your way!

FROM TIM ERRICKSON |MARCH NY MADNESS w/ NY MADNESS

We haven’t conducted any scientific studies but we think Tim E. here might be one of the busiest playwrights in the whole darn collective. We don’t know where he finds the time to do everything he does but we’re sure glad he finds it.  This month NY Madness has put together a fierce line-up of artists to create another evening of new plays based on a theme selected by Featured Guest Playwright, Winter Miller!  The line-up of course features our very own Tim Errickson and a whole slew of amazing writers.  Playwrights have a week and plays are presented hot off the press, fully staged, script in hand.  Full details below, don’t miss it!

Featured Guest Playwright for March
WINTER MILLER

The line-up of playwrights for March:
Micheline Auger
Cecilia Copeland*
Tim Errickson
Tanya Everett
Cara Jane Francis
David Hilder
Judith Leora*
*denotes NY Madness company member

Tickets are FREE but reservations are a must.  Reserve HERE

And remember ANYTHING CAN HAPPEN IN A MADNESS!

 Sunday March 29, 8pm | Cherry Lane Theatre, 38 Commerce St, New York, NY 10014

 

 

FROM JEN BROWNE | THE DIABOLICAL STARFISH at DIXON PLACECharley 2

The Diabolial Starfish explores the isolated life of Charlie.  Her distrust of the outside world binds her to her apartment, where days are spent juggling excuses not to leave, and chatting with a shower cap named Charley, along with a swirl of other mythological loners.  This is the first collaboration between playwright Jen Browne, performer Stacey Raymond, and director Tasha Gordon-Solmon. The show actually began as a monologue originally commissioned by CapsLock Theatre, aka LRR playwright Mariah MacCarthy, and was featured in Pussyfest III – The Reckoning.

The reading will take place in the lounge at Dixon Place.  Tickets are FREE and seats are first come first served!

There will also be booze, so come early and stay late!

More info HERE

Friday, April 17, 7pm | Dixon Place, 161A Chrystie Street, New York, NY 10002

 

 

FROM JEREMY WINE | APRIL NY MADNESS W/ NY MADNESS

Just when you’re recovering from March the madness continues in April with the last event of Season 5.  This months featured playwright is Tony Glazer and LRR playwright Jeremy Wine joins the ranks of what will surely be another fantastic program of playwrights and new plays!

Visit New York Madness for the final line-up, location and reservation details!

Sunday, April 19th, 8:00pm

 

That’s it for now but, seriously, we have a LOT waiting in the wings so be sure to finds us on Twitter and Facebook.  We’re looking to get to a 1,000 followers so get out there and like and follow and share and all of those good feeling things we do out in social media land.

Here are our details, look us up!

Twitter: @LRRplays

Facebook: www.facebook.com/lrrit

In case you missed it…check out playwright Tim Duncheon’s thoughts for a new LRR logo….not too shabby Tim.

lather rinse repeat_logo_timd

The Monthly Wash Issue II

Welcome to Issue II of THE MONTHLY WASH.  If you thought February was full wait until you see March!  We’ve got world premieres, we’ve reached out across multiple states, some old favorites and of course a LOT of new work.  Hope you’re hungry cause we’re excited to share what we’ve got cookin’.

FROM MARIAH MACCARTHY  | BABY MAMA | ENSEMBLE STUDIO THEATRE

Baby-Mama-Pic-FB-(update) (2)

 

 

 

 

 

Mariah MacCarthy shines in this raunchy, hilarious and heartbreaking one-woman performance based on her own experience as a birth mother.

Tickets are just $20 (best twenty bucks you’ll ever spend) HERE!

Tuesdays from February 17 to March 10 | Ensemble Studio Theatre 549 W. 52nd Street


FROM GINA FEMIA | A WORKSHOP SHOWING OF, FOR THE LOVE OF (OR THE ROLLER DERBY PLAY) | SARAH LAWRENCE COLLEGE THEATRE DEPARTMENT

Our newest members might just be our busiest as Gina Femia is at it again with another a exciting new piece.

Michelle and Joy are a couple who love roller derby. But when Joy gets on the Brooklyn Scallywags and meets the star, Lizzie Lightning, they find their lives turned upside down. For The Love Of (or The Roller Derby Play) asks how much you’re willing to sacrifice – or lose – in order to follow your heart.

Tickets are free but seating is limited so please e-mail ginafemia@gmail.com to reserve seats

March 5 & 6 | The Wright Theatre at Sarah Lawrence College, 1 Meade Way, Bronxville NY


 

 FROM MATT BARBOT | BEG, BORROW, STEAL | COLUMBIA UNIVERSITY

begborrowsteal (2)

We’re only a little jealous that new member Matt Barbot is playing with his other playwright friends in this collection of new works.

8 playwrights. 10 minutes each. 1 show you don’t want to miss! Beg, Borrow, Steal consists of 8 short plays created by 8 talented Columbia MFA playwrights: Matt Barbot, Stephen Foglia, Aeneas Sagar Hemphill, Becca Plunkett, Alix Sobler, Ellen Steves, Callan Stout, and Alexandra Viteri Arturo.

Tickets are FREE! Reserve your spot via BegBorrowStealRSVP@gmail.com

March 5, 6, at  8PM, March 7 at 3PM and 8PM | Schapiro Theatre (615 W 115th Street, NY NY)

 

 

 

 


 

FROM JEN BROWNE AND LAUREN FEREBEE | YOUNEED GOSEARCH | OUT OF THE LOOP FRINGE FESTIVALout of the loop

 

Jen Browne and Lauren Ferebee are at it again and this time they’re heading to Dallas for the Out of the Loop Fringe Festival with new piece YouNeed GoSearch.  Created with Timothy Giles and Montgomery Sutton You Need Go Search is an off-kilter hero’s journey following four people in unusual clothes whose lives are lit by flashlights and dime-store lanterns, anchored by broken stuff and communicated via bubbles. The show is rich, magical, theatrical and fun, that’s four good reasons right there to buy your ticket to Dallas and YouNeed GoSearch.

For More info visit: OUT OF THE LOOP


FROM ISAAC RATHBONE | THE GNOME | BARTER THEATRE

the gnome

We could not be more excited for Isaac and the world premiere of the The Gnome at Barter Theatre in Virginia.  

A story of family, wishes, greed, magic, snow and department stores. Barry works at All-Mart and lives with his brother, the cop, and secretly desires his brother’s wife, Yvonne. Needless to say, things are not going well for Barry. Suddenly appearing from the melting snow of winter is a magical Gnome, whose powers transform everyone’s life, but not without consequences.

Get some insight into the piece with this awesome interview with Mr. Rathbone himself: Playwright Interview

Tickets and more info about the show and Barter Theatre can be found HERE!

March 13th-May 16th | Barter Theatre Stage II Abingdon, VA


FROM TIM DUNCHEON | STAGE SPIES, OR: THE DESIGNS OF BENJAMIN FRANKLIN

All you need to know is that Tim Duncheon wrote this play, the same Tim Duncheon that brought us the most amazing pirate musical ever made.

It’s the Revolutionary War, and British-occupied Philadelphia is no picnic! Newspaper printer Jacob Palmer thinks his financial troubles are over when he agrees to print British propaganda and advertise the British Army’s new play. But when Benjamin Franklin arrives on a secret mission, Jacob finds himself caught in a dangerous game, committing treason against both sides. Worse, Jacob’s family begins to declare independence—and not from Britain, but from him. Very loosely based on a true story, this satirical farce turns our American origin myth upside down to find that words like “freedom” and “truth” are dangerously—but hilariously—fickle.

The reading will be directed by Kyle Metzger and followed by a reception with light refreshments!

Thursday, March 19th at 4 p.m. | Ripley-Grier Studios (520 8th Avenue), Room 17H

 


THINGS TO COME!!

That’s right we always have more exciting things in the works including our very own Lather, Rinse, Repeat #podcast! Keep your eyes and ears open for the unveiling of this very exciting new endeavor!  That’s it for March we’ll see you in April with our next round of shout outs in The Monthly Wash Issue III

#Selfie First Flight w/ Tim Errickson and Boomerang Theatre Company

Good news world,  got to chat with Tim Errickson about First Flight, Boomerang Theatre Company’s annual festival of new plays.  It’s this week so read up and then get out there and check out some AMAZING PLAYS!!

 

Jen Browne: So something that is super great about Lather Rinse Repeat  is that a lot of playwrights in the group are so much more than playwrights, they’re very often writing, producing, directing, everything and you my friend might be king of the all-arounds working with Boomerang Theatre Company.  Can you tell me a little about where this all began for you and maybe how you’ve seen the company grow over the years?

Tim Errickson: Hardly the king, if you look around our little group. It began for me about 20 years ago when I began my first theatre company after college. I love making theatre, I love the audiences and the work. And I love validating work and encouraging playwrights by producing new plays. For the last 16 years, Boomerang Theatre Company has been my passion project. We’ve produced 55 plays and over 60 new play development readings and workshops. We began like all do, poor and not knowing how to do this work. But we learned and grew and gathered like-minded people.

 

JB: Boomerang breaks its season into three sections or so your website tells me, the third being First Flight, a reading series for new work.  Can you speak to the company’s relationship to new plays and playwrights?

TE: It’s funny, as I think it’s changing. Originally, we did all classics, and then began programming new plays to run along with classics in tandem. As we’ve gotten more established (and maybe as I’ve gotten older too), I love new plays more and more. I think that mystery of producing the new play, the unknown audience response, the unforeseen change in rehearsal, is just so exciting. I really love getting new plays off the page, out of readings and in front of people. And the writer is a huge component of that, because really we are supporting their idea of story and theme. We want them there as much as they can be, and we want them to feel like they have a place to bring work and make it better.

 

JB: Can you break down the details for this year’s festival?

TE: The 2014 First Flight New Play Festival consists of public readings of six new plays in various states of development. We kick off on Wednesday Nov 19th at 7pm and go through Monday Nov 24th at 7pm. All of our readings are at ART/NY, 520 Eighth Avenue, 3rd floor. Readings are always free, but if you’ve got $5 burning a hole in your pocket, we’ll take it and put it to good use.

 

JB: Producing new work can be risky business why is the risk worth it for you?

TE: Yeah, it’s a funny thing…what’s the risk? If you believe in the work, and it expresses your heart and mind, something important and passionate, it’s always going to work on some level. And it can be done expensively or cheaply depending on what you’ve got to work with. So I’m all in. More New Plays!

 

JB: How has producing new work influenced the development of your company and your place in the New York theater landscape?

TE: I think on some level we put our own stamp on things. I hope that people see a play and recognize that it’s a Boomerang play, that it has substance, intelligence, daring use of language, and fearlessness. We apply that to all our projects, but I think it is more obvious in the new plays we choose to develop.

 

JB: Any other tidbits we should know about this year’s Fest or future Boomerang programs?

TE: We just keep trying to grow the festival all the time. Constantly improving it to make it more helpful to the writers, so that their needs are served. We’re excited about this year’s lineup, and hope you’ll come check them out.

This year’s First Flight Festival includes work by Vincent Sessa, Johnna Adams, Michael Aguirre, Adam Kraar, Tim Errickson, Shelley McPherson.   Dates and times for all readings can be found HERE!

Guest Star Selfie #4

Julie Gomez Selfie

On April 8th, we welcomed the indubitable Julie Gomez as our honored guest, as we read the equally indubitable Tim Duncheon’s latest work-in-progress.  As part of my long con to make Tim Duncheon my new and very bestest friend, I took some time to interview Julie about her love of improv, contested archipelagos, and antipathy for creepy crawlies.

Jeremy Wine: Are you really from San Andres y Providencia?  I’ve never met anyone from there. Do you consider yourself American, Colombian, Nicaraguan, Caribbean, or something I can’t get my ignorant head around?

Julie Gomez: I am! It’s a beautiful little island in the Caribbean that belonged completely to Colombia, until recent legal battles that resulted in Nicaragua owning the waters that surround the land. It’s a strange and long history. I moved away when I was about 4 to Louisiana then to Texas later on in life, so the question about what I consider myself to be is one I love to contemplate. I became a naturalized citizen 3 years ago, which I am very honored and proud of, and I have a very strong tie to my family and Colombian culture as well as southern culture… so I like to think of myself as a cultural mutt. So D, all of the above, is my answer. I love all my frankenstein parts.

Jeremy Wine: With your background in improv, how does that influence what appeals to you in the scripted theatre world?

Julie Gomez: I studied theater in college and it’s been fascinating to see the world of theater and improv merge at UCB. I still deal with scripted material since I produce comedy web videos and UCB also teaches sketch writing in addition to improv.

We have made successful videos in the past that have had hilarious and well produced scripts, as well as videos that have had much of the script improvised. In both cases I’ve seen the writers and directors give freedom to the performers we cast, who are talented improvisers, to work with the dialogue or premise given.

Of course this doesn’t happen all the time, there is a great value to the writer and the work she has written, but I enjoy seeing an on-going process with scripted material with a creative team that includes the director, writer, and performer. I think that aspect of theater appeals to me as a producer (and perhaps why I enjoyed Lather, Rinse, Repeat so much!) to see creative minds nurturing an idea.

Jeremy Wine: You’re a producer at the Upright Citizens Brigade. Please pardon the unmotivated exposition.  That sounds like an impossible job to me.  Please explain.

Julie Gomez: HA! Makes me feel like a super hero. I am the producer for the Video/Film Department of UCB called Don’t Think Productions. I’ve produced many of the comedic web videos you will see on our site and Youtube channel. We are currently producing a feature length documentary on the Del Close Marathon and I also produce branded content videos and commercials for our company.

Jeremy Wine: If, to save a million lives, you had to punch one animal in the face, what animal would you punch?

Julie Gomez: Maggots. I would punch so many of their stupid chubby no-faces.

Jeremy Wine: Mike Nichols once said “Because it’s funny.” is a pretty good answer to the question, “Why are you telling me this?”  What do you think?

Julie Gomez: Oh yeah, I agree. Give me funny and I will laugh everyday all the time.