Tag Archives: lauren ferebee

Monthly Wash Issue V

BEHOLD! It’s Issue V of the Monthly Wash.  It’s been awhile we know but it certainly has been worth the wait! We’ve got some super #newplays on the horizon many of which will be presented in dark air conditioned theaters so get your tickets and get your chill on with some icy cool theatre.

FROM GINA FEMIA | THE VIOLET SISTERS and SUPER, OR, HOW CLARK GRAVES LEARNED TO FLY

Image credit: Freddy Padilla

Image credit: Freddy Padilla

Watch as Gina Femia doubles down on this month’s wash.  She’s got two plays on the starting block all just within a few days of each other!

Part of New York Madness’ Inaugural MadLab, first up, The Violet Sisters.  Following Pam who comes home to attend her father’s funeral in the wake of Hurricane Sandy, only to be greeted by an angry sister, a dilapidated house and a past she can’t escape.

If you missed this awesome play at LRR’s full length festival Soap Gets in Your Eyes, here’s your chance for redemption.  The MadLab production is directed by Michele Travis and stars Romy Nordlinger and Stacey Raymond.

Rolling out next is March Forth Productions presentation of Super, or, How Clark Graves Learned to Fly.  The play examines the shrinking of the middle class as seen through the eyes of a typical American Family –The Graves. Intercut with scenes from Clark’s comic book world, this play explores the increasing hunger crisis as it spreads across America, asking the questions How do we learn to Fly?  And what does it really mean to be Super?the increasing hunger crisis as it spreads across America, asking the questions How do we learn to Fly? and What does it really mean to be Super?Dot cannot stop picking her skin, Father Samuel has gotten mean and Clark –well, Clark is trying to be everyone’s hero, including his new girlfriend, Laney.

Both of these events are FREE! FREE! FREE! Details for both are below!

The Violet Sisters | Thursday, July 2 at 8:00 pm | IRT Theater (154 Christopher Street) | RESERVE HERE

Super, or, How Clark Graves Learned to Fly | July 6th at 7:30 pm | Under St. Mark’s (94 St. Mark’s Place) |No reservation needed just show up!


FROM NATALIE WILSON | IN TRANSIT

Montréal Skyline

Happy Canada Day! From July 29th – August 2nd Natalie Wilson’s short play IN TRANSIT — originally developed for LRR’s short forms series “Now Boarding J/K! #fml #delayed” — will be featured in the New Play Development Showcase of New Plays in Montreal, Canada this summer! The workshop is part of the annual ATHE (Association for Theater In Higher Education) conference. Natalie will be working with an esteemed international team of collaborators, including director Andrea Grapko, dramaturg Julia Listengarten, scenographer Tali Ariav, and actors Leah Roy and Cindy Gendrich.

You can’t get tickets to this one folks but you can wish Natalie luck on her journey north of the border!


OTHER THINGS YOU SHOULD KNOW

There’s only a few more days left for f*ckfest at The Brick curated by our own Mariah MacCarthy | Tim Erickson has two shows running The Firebird at Planet Connections Theatre Festivity and Cymbeline | Satelite member Lauren Ferebee is doing some Scrappy Shakespeare down in Spartanburg, SC | Matt Barbot’s play BOLDLY GO is part of The Navigators Theater Company’s Lift-Off Series

That’s it for now, more to come in August, there’s always more to come!

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#Selfie 4.1 Meet Our New Members! Gina Femia (w/ Questions from Amanda Keating)

It’s the return of the #Selfie!  We are so excited to bring you three new #selfie interviews featuring our three new members!  First up we’ve got Amanda Keating interviewing Gina Femia.

Keep an eye out in the coming weeks for when Gina turns the tables on Amanda and an interview with Matt Barbot by the illustrious Lauren Ferebee.

Aaanndd here we go!

Amanda Keating: What’s your favorite place to write?

Gina Femia: I’m partial to writing anywhere I can be curled up, my laptop or notebook balanced on my knees.  Preferably wearing sweats with an oversized sweater that covers a graphic tee.  This usually means writing on my couch or on my bed, but I like writing on the subway, too.

AK: Do you write on a computer? Pen to paper? On a typewriter? In the air?

GF: On my laptop, work computer or pen to paper – anything that gets the words out!  I’ve never tried typewriters, they look frustrating.  In the air sounds awesome but I think I’d have a hard time sharing it with actors.

Writing on my laptop is usually the best.  I close my eyes and just write.  It feels like a different kind of instrument, or like an extension of my hands.  I feel the most Me when I’m doing that.

AK: What time of day do you like to write? Why?

GF: I used to only like writing at night but now I prefer writing when there’s light outside.  I think I’m part plant and the sun energizes my brain, lights it on fire like kindle.  There’s more possibility in the beginning of the day, or even at the beginning of the afternoon.  I’m freer, I can practically smell the words in the air, practically see them darting around like butterflies that I can’t wait to capture in my hands.

But I’ll write whenever I can.

AK: Do you share your work with anyone while you’re writing it? Or do you prefer to wait til it’s done? If the former, who do you show it to?

GF: It depends on the piece.  Usually I want to get a draft out as soon as possible and will force myself to write it fast and then I’ll want to hear it just as fast, if not faster.  I’ll show it to whoever will listen, whoever will read it out loud with me.  My boyfriend is especially supportive and has read many-a-play out loud with me, from multiple characters to 2 sisters in a kitchen.  He says he’s not an actor but he does a great job impersonating one!

AK: What’s the first story (not necessarily in play form) you ever wrote?

GF: I wrote an instant classic when I was in Kindergarten called “The Very Blind Whale”.  I still have the original manuscript, it begins “One day a whale looked up at the sun. ‘Ahh, I am now blinded!’ screamed the whale.”  The rest you can buy at your local indie bookshop, I’m sure.

AK: What are some things that inform/inspire your writing? Music? Images? Other writing? The universe?

GF: Brooklyn and magic inspire and inform my writing the most.  I can’t escape Brooklyn – it’s where I grew up and where I continue to live.  All of my stories started here and they continue to bloom here.  Don’t get me wrong, I’ve written plays that don’t take place in Brooklyn, but the characters are still very much from Brooklyn in some way.  Not literally but still, in some way.

Somebody once challenged me to define magic, saying that when they thought of it, they thought of magic as tricks.  And I think that’s what people tend to think of when they hear the word magic, they think of clowns at kid’s birthday parties, folding balloons into shapes and pulling cards out their asses, a reason for everything, a sly hand movement here and a distraction there.  But my definition of magic is simply this: When something that shouldn’t happen, happens.  Which sounds a lot like the definition of a miracle.  But I never really saw a difference between the two.

AK: Fill in the blank: On Saturday mornings, you can find me _______ .

GF: Making breakfast, making lists, making plans!  And drinking coffee.  Copious amounts of coffee, always.

gina Thank you Gina and Amanda!!

 

The Monthly Wash Issue II

Welcome to Issue II of THE MONTHLY WASH.  If you thought February was full wait until you see March!  We’ve got world premieres, we’ve reached out across multiple states, some old favorites and of course a LOT of new work.  Hope you’re hungry cause we’re excited to share what we’ve got cookin’.

FROM MARIAH MACCARTHY  | BABY MAMA | ENSEMBLE STUDIO THEATRE

Baby-Mama-Pic-FB-(update) (2)

 

 

 

 

 

Mariah MacCarthy shines in this raunchy, hilarious and heartbreaking one-woman performance based on her own experience as a birth mother.

Tickets are just $20 (best twenty bucks you’ll ever spend) HERE!

Tuesdays from February 17 to March 10 | Ensemble Studio Theatre 549 W. 52nd Street


FROM GINA FEMIA | A WORKSHOP SHOWING OF, FOR THE LOVE OF (OR THE ROLLER DERBY PLAY) | SARAH LAWRENCE COLLEGE THEATRE DEPARTMENT

Our newest members might just be our busiest as Gina Femia is at it again with another a exciting new piece.

Michelle and Joy are a couple who love roller derby. But when Joy gets on the Brooklyn Scallywags and meets the star, Lizzie Lightning, they find their lives turned upside down. For The Love Of (or The Roller Derby Play) asks how much you’re willing to sacrifice – or lose – in order to follow your heart.

Tickets are free but seating is limited so please e-mail ginafemia@gmail.com to reserve seats

March 5 & 6 | The Wright Theatre at Sarah Lawrence College, 1 Meade Way, Bronxville NY


 

 FROM MATT BARBOT | BEG, BORROW, STEAL | COLUMBIA UNIVERSITY

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We’re only a little jealous that new member Matt Barbot is playing with his other playwright friends in this collection of new works.

8 playwrights. 10 minutes each. 1 show you don’t want to miss! Beg, Borrow, Steal consists of 8 short plays created by 8 talented Columbia MFA playwrights: Matt Barbot, Stephen Foglia, Aeneas Sagar Hemphill, Becca Plunkett, Alix Sobler, Ellen Steves, Callan Stout, and Alexandra Viteri Arturo.

Tickets are FREE! Reserve your spot via BegBorrowStealRSVP@gmail.com

March 5, 6, at  8PM, March 7 at 3PM and 8PM | Schapiro Theatre (615 W 115th Street, NY NY)

 

 

 

 


 

FROM JEN BROWNE AND LAUREN FEREBEE | YOUNEED GOSEARCH | OUT OF THE LOOP FRINGE FESTIVALout of the loop

 

Jen Browne and Lauren Ferebee are at it again and this time they’re heading to Dallas for the Out of the Loop Fringe Festival with new piece YouNeed GoSearch.  Created with Timothy Giles and Montgomery Sutton You Need Go Search is an off-kilter hero’s journey following four people in unusual clothes whose lives are lit by flashlights and dime-store lanterns, anchored by broken stuff and communicated via bubbles. The show is rich, magical, theatrical and fun, that’s four good reasons right there to buy your ticket to Dallas and YouNeed GoSearch.

For More info visit: OUT OF THE LOOP


FROM ISAAC RATHBONE | THE GNOME | BARTER THEATRE

the gnome

We could not be more excited for Isaac and the world premiere of the The Gnome at Barter Theatre in Virginia.  

A story of family, wishes, greed, magic, snow and department stores. Barry works at All-Mart and lives with his brother, the cop, and secretly desires his brother’s wife, Yvonne. Needless to say, things are not going well for Barry. Suddenly appearing from the melting snow of winter is a magical Gnome, whose powers transform everyone’s life, but not without consequences.

Get some insight into the piece with this awesome interview with Mr. Rathbone himself: Playwright Interview

Tickets and more info about the show and Barter Theatre can be found HERE!

March 13th-May 16th | Barter Theatre Stage II Abingdon, VA


FROM TIM DUNCHEON | STAGE SPIES, OR: THE DESIGNS OF BENJAMIN FRANKLIN

All you need to know is that Tim Duncheon wrote this play, the same Tim Duncheon that brought us the most amazing pirate musical ever made.

It’s the Revolutionary War, and British-occupied Philadelphia is no picnic! Newspaper printer Jacob Palmer thinks his financial troubles are over when he agrees to print British propaganda and advertise the British Army’s new play. But when Benjamin Franklin arrives on a secret mission, Jacob finds himself caught in a dangerous game, committing treason against both sides. Worse, Jacob’s family begins to declare independence—and not from Britain, but from him. Very loosely based on a true story, this satirical farce turns our American origin myth upside down to find that words like “freedom” and “truth” are dangerously—but hilariously—fickle.

The reading will be directed by Kyle Metzger and followed by a reception with light refreshments!

Thursday, March 19th at 4 p.m. | Ripley-Grier Studios (520 8th Avenue), Room 17H

 


THINGS TO COME!!

That’s right we always have more exciting things in the works including our very own Lather, Rinse, Repeat #podcast! Keep your eyes and ears open for the unveiling of this very exciting new endeavor!  That’s it for March we’ll see you in April with our next round of shout outs in The Monthly Wash Issue III

Follow @LRRIT on Twitter for all our crazy musings!

Lather Rinse Repeat Logo

Want to hear more from the writers of Lather, Rinse, Repeat?

You can! Just follow us on Twitter @LRRIT

If you do, you’ll get fun nuggets like:

 

And while you are at it, check out our playwrights and give them a follow. We would love to connect with you!

Brandon Marianne Lee

Isaac Rathbone

Jen Browne

Jeremy Wine

Lauren Ferebee

Mariah MacCarthy

Mila Golubov

Natalie Wilson

Tim Errickson

Only Tim Duncheon seems to have avoided the Twitter phenomenon (even though he wrote a short play ENTIRELY out of tweets, gotta love it).

Have a great week. Happy Presidents Day. Keep writing.

selfie #2.2 ACTOR EDITION: kate d. (questions by jeremy w.)

Kate Dearing puts the “repeat” in Lather, Rinse, Repeat.  Since she lives with an LRR playwright (Lauren F.) she has been our go-to gal since we started this crazy experiment, and by the end of Rinse Round2 will have worked with every playwright in the group.  Our own Jeremy W. commiserates with her on being a Texan and finds out what keeps her inspired.

#selfie 2.0  is an interview series where Lather, Rinse, Repeat playwrights interview the actor ensemble for their next night of short plays.  Playwrights have free reign over the questions. The interviewee must then post an actual selfie, because we told them to.

JEREMY W. I see you’ve started your own new play development series called Playdate.  Is working on new plays the Dearing way?

KATE D. I started Playdate with a couple of friends. We wanted to make a home for playwrights, actors, and directors to just be in the creative process and play together…just like playgroup for little kids but booze instead of apple juice. I am a sucker for new work. I love the collaborative team sport aspect of it.

JEREMY W. What have we done to deserve you?

KATE D. Oh stop it…I mean go on…

JEREMY W. As a fellow Texan, I make a habit of informing residents of the other 49 how much fairer Austin is than Dallas.  Secretly, I know there is some fascinating theatre brewing in the Dallas/Fort Worth area.  Do you still identify with the city?  Did it shape you as an actor at all?

KATE D. I did grow up in Dallas, which I lovingly refer to as Diet LA. Massive houses, expensive cars, groomed women, and segregated neighborhoods. However, after living in both Dallas and LA and rebelling against both cities, I have made my peace with both. Dallas taught me the art of the southwest warmth and woo. A skill set that is always useful. LA taught me the art of the hustle. Both skills have proved useful to have in my wheelhouse.

JEREMY W. Who taught you the spine of your acting craft and what is it made of? 

KATE D. For today the spine of my craft is exquisitely simple- trusting uncertainty and staying present. It’s a beginners mind. It’s saying YES and enjoying the ride.

JEREMY W. Favorite ride at an amusement park? 

KATE D. A big roller coaster. The sexy steel kind.

JEREMY W. What do you do when preparing for a role you would never want the audience to see? 

KATE D. Whenever I take on a role, I end up falling in love with that character. I figure If I truly see them and love them, I will be able to do them justice… and usually there are tears…

JEREMY W. If you could portray any real person, living or dead, whom would it be? 

KATE D. I don’t have an answer to this question. I always fail this part of the quiz.  I am a sucker for good writing. Theatre that makes it easier to be human. Laughter through tears. That is what gets me excited. That’s what I want to help bring alive.

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