Category Archives: Directors

Monthly Wash Issue IV

We’re just a week or so out from our first ever full-length festival Soap Gets in Your Eyes and yet LRR playwrights still find time to do OTHER projects.  It’s crazy we know!


FROM TIM ERRICKSON | LICKSPITTLES, BUTTONHOLERS AND DAMNED PERNICIOUS GO-BETWEENS 

Illustration by Stefano Imbert

Illustration by Stefano Imbert

 

Mr. Errickson is not only an LRR playwright but he’s ALSO the Artistic Director of Boomerang Theatre Company and they’ve got a killer show in Lickspittles, Buttonholers and Damned Pernicious Go-Betweens.  We’ve got the details and a sød (sweet!) discount below, hope to see you there!

Three extraneous Danish court officials: a professional loud mouth (the buttonholer), a kiss ass for hire (the lickspittle) and a successful dastard (the go-between) are tossed out of court just as Denmark’s merchant fleet becomes of strategic importance in the Napoleonic war. The three men journey to France and meet Napoleon’s top lickspittle, buttonholer and go-between, their female counterparts. Plots abound, flying machines are destroyed and the head of Marie Antoinette is discovered during the madcap struggle to save Copenhagen from British howitzers. The main characters speak in rhyming Alexandrine verse, while a host of supporting characters converse in sestinas, haiku, free verse, limericks and sonnets. In a rhyming, metered world, the offbeat rules.

Stay up to date on show news and check out some HIGHLY enjoyable production shots on Boomerang’s blog: Boomerangtheatre.wordpress.com

Tickets are $25 but Lather Rinse Repeat readers save $10 when using code Boom2015 to purchase tickets. Get yours NOW!

 May 1st-May 17th, 2015 | Teatro Circulo, 64 E 4th Street, New York, NY 10003

Follow Boomerang Theatre Company on Twitter! @boomerangtheatr


FROM ISAAC RATHBONE | DEB & JOAN AT PULP GULP w/ PULP STAGE

Pulp Gulp Pulp Stage

Ike first presented Deb & Joan at LRR’s second night of short works, Mistakes Were Made, and we’re really pleased to see it out and about, in fact it’s pretty far from home, all the way in Portland, Oregon with Pulp Stage and their series Pulp Gulp.

Pulp Gulp: Actors. Dialogue. Forbidden love amongst aliens, robots…and nerds.

60 minutes of riveting science fiction and fantasy storytelling through dialogue. Featuring “Deb & Joan” about an android who falls in love with her research scientist.

To see the full line-up visit Stage Pulp’s website by clicking right….HERE.

You can also give them a follow at any of these local social media sites, Facebook: ThePulpStage Twitter: @ThePulpStage.

Seating starts at 7:30pm and their’s a suggested donation of $5-$10 but we know Ike’s show is worth at least $10, so if you go, go with a tenner.

May 8th, 8pm | Sip D’vine 7829 SW Capitol Hwy, Portland, OR 97219


FROM MARIAH MACCARTHY| UNTIL SHE CLAWS HER WAY OUT

Marathon Lockup blu gry-04 (1)It’s marathon season, at least at Ensemble Studio Theatre.  Word on the street is that this year, EST received a whopping 1,078 submissions for the 35th Marathon of One-Act Plays and somehow narrowed it down to 14 plays.  One of those plays is Until She Claws Her Way Out by our own Mariah MacCarthy.  Until She Claws Her Way Out is directed and choreographed by Sidney Erik Wright and will run in Series A.

The marathon begins on May 13th and runs, (get it, runs) until June 27.
The full line-up for Series A, B and C as well as specific performance dates and times, ticket prices, the whole shebang really, can be found at the usual spot and by that we mean the EST WEBSITE!

FROM LATHER RINSE REPEAT | SOAP GETS IN YOUR EYES

LRR_Soap_Email_800x300
Join Lather Rinse Repeat: A Playwrights Collective for their inaugural festival of new works.   Featuring readings of 11 new plays!   We have alot, ALOT,  in the great plays and performances for you from May 10-May 20.  All of the details are below.  Make sure to reserve your seats ASAP as seating for every reading is LIMITED!  Reservations can be made HERE
KICK-OFF TOAST
Join us Sunday, May 10, at 1pm for a celebratory toast as we dive into our first ever full length festival!  Reservations for any of the scheduled shows earns you a Mimosa!

FULL PLAY DETAILS

Hags, Mopes, and the End of All Existence
Written by Jen Browne
Directed by Tasha Gordon-Solmon
Sunday, May 10, 130pm

Hags and Mopes have been married for as long as they can remember and they’ve had just about enough of each other so maybe it’s not such a bad thing there’s a comet making its way straight towards them, the blizzard of the century isn’t letting up, or that the cow and the goats have moved to Florida because the end is near.

Princess Clara of Loisaida
Written by Matt Barbot
Directed by Melissa Crespo
Sunday, May 10, 4pm

With Mamá gone and Papá out of commission, José is in charge of his video-game obsessed little sister Clara. When José finds out the fairy tales he’s been telling his little sister, Clara, might be true – that she’s not really his sister, that her parents found her by the fairy-castle in Central Park with a note pinned to her blanket – he is forced to fight a magical battle for her destiny.

Honors Students; or, The Avenging of Kruppcake
Written by Mariah MacCarthy
Directed by Christina Roussos
Sunday, May 10, 7pm

Kora and Minnie are best friends. And honors students. And are plotting something involving a lot of money and a little blood. When their volatile relationship is threatened by Minnie’s friendship with awkward YouTube sensation Megan, all bets are off. In the tradition of Heathers and The Virgin Suicides, Honors Students asks one question: Who will survive?

Go That Way
Written by Amanda Keating
Directed by Molly Clifford
Monday, May 11, 730pm

In the wake of their mother’s death, three estranged siblings take to the road with their best hometown pal in search of their even more estranged father. As they drive across America, eating McDonalds, sleeping in motels, and playing tunes on the boom box (the stereo is broken, of course), they sift through the shit that’s piled up between them over the years. When they get to where they’re going, it’s not what they expected, but hey. Maybe that’s a good thing.

Chub
Written by Isaac Rathbone
Directed by Linda S. Nelson
Tuesday, May 12, 730pm

Gary and Jill buy their two-year old a hand puppet for his birthday. At first, it’s the best present ever. But then the puppet develops an odor that threatens to destroy their marriage. A satirical look at the darker side of parenting.

Posted
Written by Brandon Marianne Lee
Directed by Sara Lyons
Sunday, May 17, 1pm

Waking up believing she is Emily Post, overnight Catherine goes from hot mess to corporate revolutionary. If manners are a form of respect, perhaps a delusion of grandeur could be a hammer that breaks a glass ceiling.

The Good Girl’s Guide to Climbing the Corporate Ladder: One Body at a Time
Written by Mila Golubov
Directed by Daniella Caggiano
Sunday, May 17, 4pm

An eager newbie joins an absurd advertising agency and quickly learns that to make it as a woman in a man’s world she needs to grow a pair. Except those times when she needs to show some leg. Except those other times when she plays the saint or the slut or the repentant sinner or the willing chump. After some not so subliminal advertising, awkward sex sessions and unnecessary bloodshed, will good girl go over to the dark side?

Proximity
Written by Jeremy Wine
Directed by Kel Haney
Sunday, May 17,7pm

Munderton, an underground inventor on the forefront of the early days of drone research, has been repeating unauthorized experiments out of Nikola Tesla’s confiscated notebooks.  Pressured by the leading diplomat negotiating peace in Yugoslavia, she is caught between helping end the war, repairing Tesla’s legacy, and Kevin, the sandwich delivery guy.

The Innkeeper
Written by Natalie Wilson
Directed by Josh Hecht
Monday, May 18, 730pm

A young woman expects to die; an old woman expects to live forever. A mystical inn has different ideas.

The Violet Sisters
Written by Gina Femia
Directed by Ivey Lowe
Tuesday, May 19, 730pm

In the wake of Hurricane Sandy, Pam comes home to attend her father’s funeral.  When she arrives, she is greeted by an angry sister, a dilapidated house and a past that she can’t escape.  The Violet Sisters is a play about forgiving when you cannot bring yourself to forget.

Almost Free
Written by Tim Duncheon
Directed by Kyle Metzger
Wednesday, May 20, 730pm

Philadelphia, 1793: In the middle of a deadly epidemic, a man named Nathaniel dreams of becoming a doctor. The problem? He’s a slave. Worse, his owners won’t free him until he unravels a major political conspiracy — a dangerous task requiring disguises, a trip to meet George Washington, and just a bit of treason. What wouldn’t you do to be free?

All readings take place at Shetler Studios 244 W. 54th Street, 12fl, New York, NY 10019.  You can find us in Shetler 1.

CLOSING PARTY!

Join us after the final performance to celebrate with the directors, the actors, and of course the playwrights!

We’ll obviously be celebrating after every reading so come meet up with us at Characters, our official festival sponsor, to chat about what you saw and buy all of us starving artists a well deserved beverage.

See there was zero exaggeration when we said May was gonna get busy.  We’re pretty excited about all of these delectable theater offerings and hope you’ll join us for one, two, or really ALL of them, we want you at all of them, if we’re being honest, you should mark them all in your calendar and be there, okay see you soon.

 

 

The Monthly Wash Issue 1

Lather Rinse Repeat Logo

Lather, Rinse, Repeat playwrights are some of the busiest people in this schtinkin’ town full of schtinkin’ busy people.  Aside from all the happenings they host together there’s a slew of happenings of their own design happening seemingly ALL. THE. TIME.  We thought rather than keeping all of these delightful events to ourselves we might share them with you, the world, via THE MONTHLY WASH.  Let us help YOU stay abreast to everything Lather, Rinse, Repeat and keep you as busy as the LRR gang throughout the month!

FROM GINA FEMIA | SUPER, OR, HOW CLARK GRAVES LEARNED TO FLY

So, first on the list is a very exciting FREE reading from our newest member Gina Femia.  She’s got a new play in the works, Super, or, How Clark Graves Learned to Fly  and we think it sounds well…super.

Super, or, How Clark Graves Learned to Fly is about the shrinking of the middle class as seen through the eyes of a typical American Family – The Graves. Father Samuel has lost his once  thriving construction business, forcing the family to downsize significantly. Each member is coping with their personal loss of power differently; Mother Mary is addicted to scratch-off lotto tickets, sister Dot cannot stop picking her skin, Father Samuel has gotten mean and Clark – well, Clark is trying to be everyone’s hero, including his new girlfriend, Laney. When Laney’s dreams of running away begin to seem like they’ll become a reality, Clark must choose between his family and his chance at happiness. Intercut with scenes from Clark’s comic book world, Super, or, How Clark Graves Learned to Fly explores the increasing hunger crisis as it spreads across America, asking the questions How do we learn to Fly? and What does it really mean to be Super?

Sunday, February 8, 7pm | Drama Bookshop, 240 W. 40th Street


Photo credit: Mitch Dean

Photo credit: Mitch Dean

FROM JEN BROWNE | THE ORPHEUS VARIATIONS W/ THE DECONSTRUCTIVE THEATRE PROJECT                                                                                                                                 

Fun fact, on top of being a LRR playwright, Jen Browne is an ensemble member with The Deconstructive Theatre project and this week they opened the first of ten encore performances of their show The Orpheus Variations.  Inspired by the Orpheus myth and the neuroscience of memory, The Deconstructive Theatre Project’s critically and audience acclaimed performance collides cinema, radio play, and theatre vocabularies into an art-house film created and screened in real time.

Straight from their sold out run at The Public Theater’s Under the Radar Festival you have until February 14th to check out what Time Out NY calls a, a multimedia fantasia. 

Check out the trailer and purchase special $20 tickets HERE.

 February 4-February 14| Theatre at the 14th Street Y located at 344 East 14th Street


FROM MARIAH MACCARTHY AND ISAAC RATHBONE |NEW YORK CITY INDIE THEATRE ONE-MINUTE PLAY FESTIVAL                                                                                               

The One-Minute Play Festival and the New Ohio Theatre have created a dynamic partnership for The 1st New York City Indie Theatre One-minute Play Festival – with part of the proceeds to benefit Indie Theatre Now and the New Ohio’s new play and artist residency programming.

The festival consists of one-minute plays by nearly 50 established and emerging playwrights who identify as part of the downtown or indie theatre community, prompted by #1MPF’s unique playmaking process and LRR is totally representing with plays by Mariah MacCarthy and Isaac Rathbone.  You can also see work from some of our favorite LRR Friends, Diana Oh, Kevin R. Free and Leta Tremblay.

Get your tickets HERE

 February 17, 18, and 19, 8pm | The New Ohio Theater


 

AND speaking of LRR Friends how about you check out the work of some of our REPEAT OFFENDERS, the actors and directors we work with and love the most.

FROM HEATHER LEE ROGERS | THE CHURCH OF WHY NOT w/ THEATRE 167                                                                                                                                                                               

Inspired by the very place in which it’s performed, The Church of Why Not brings together believers and skeptics, activists and addicts, seekers and lost souls.  Some need food, some crave connection others come for help with taxes, tutoring or a Bar Mitzvah.  Conceived and directed by Ari Laura Kreith; collaboratively written by Camillo Andres Almonacid, Jenny Lyn Bader and J. Stephen Brantley featuring a diverse ensemble of 18 actors and some music.

Tickets are just $18 and can be purchased HERE

February 20-March 15 | West End Theater, Church of St Paul & St Andrew, 263 West 86th , 2nd fl 


 

We hope to see you out there and tune in next month for more from the Lather, Rinse, Repeat gang in THE MONTHLY WASH!

#Selfie First Flight w/ Tim Errickson and Boomerang Theatre Company

Good news world,  got to chat with Tim Errickson about First Flight, Boomerang Theatre Company’s annual festival of new plays.  It’s this week so read up and then get out there and check out some AMAZING PLAYS!!

 

Jen Browne: So something that is super great about Lather Rinse Repeat  is that a lot of playwrights in the group are so much more than playwrights, they’re very often writing, producing, directing, everything and you my friend might be king of the all-arounds working with Boomerang Theatre Company.  Can you tell me a little about where this all began for you and maybe how you’ve seen the company grow over the years?

Tim Errickson: Hardly the king, if you look around our little group. It began for me about 20 years ago when I began my first theatre company after college. I love making theatre, I love the audiences and the work. And I love validating work and encouraging playwrights by producing new plays. For the last 16 years, Boomerang Theatre Company has been my passion project. We’ve produced 55 plays and over 60 new play development readings and workshops. We began like all do, poor and not knowing how to do this work. But we learned and grew and gathered like-minded people.

 

JB: Boomerang breaks its season into three sections or so your website tells me, the third being First Flight, a reading series for new work.  Can you speak to the company’s relationship to new plays and playwrights?

TE: It’s funny, as I think it’s changing. Originally, we did all classics, and then began programming new plays to run along with classics in tandem. As we’ve gotten more established (and maybe as I’ve gotten older too), I love new plays more and more. I think that mystery of producing the new play, the unknown audience response, the unforeseen change in rehearsal, is just so exciting. I really love getting new plays off the page, out of readings and in front of people. And the writer is a huge component of that, because really we are supporting their idea of story and theme. We want them there as much as they can be, and we want them to feel like they have a place to bring work and make it better.

 

JB: Can you break down the details for this year’s festival?

TE: The 2014 First Flight New Play Festival consists of public readings of six new plays in various states of development. We kick off on Wednesday Nov 19th at 7pm and go through Monday Nov 24th at 7pm. All of our readings are at ART/NY, 520 Eighth Avenue, 3rd floor. Readings are always free, but if you’ve got $5 burning a hole in your pocket, we’ll take it and put it to good use.

 

JB: Producing new work can be risky business why is the risk worth it for you?

TE: Yeah, it’s a funny thing…what’s the risk? If you believe in the work, and it expresses your heart and mind, something important and passionate, it’s always going to work on some level. And it can be done expensively or cheaply depending on what you’ve got to work with. So I’m all in. More New Plays!

 

JB: How has producing new work influenced the development of your company and your place in the New York theater landscape?

TE: I think on some level we put our own stamp on things. I hope that people see a play and recognize that it’s a Boomerang play, that it has substance, intelligence, daring use of language, and fearlessness. We apply that to all our projects, but I think it is more obvious in the new plays we choose to develop.

 

JB: Any other tidbits we should know about this year’s Fest or future Boomerang programs?

TE: We just keep trying to grow the festival all the time. Constantly improving it to make it more helpful to the writers, so that their needs are served. We’re excited about this year’s lineup, and hope you’ll come check them out.

This year’s First Flight Festival includes work by Vincent Sessa, Johnna Adams, Michael Aguirre, Adam Kraar, Tim Errickson, Shelley McPherson.   Dates and times for all readings can be found HERE!

Multi-week Round-up With Side of Tots

Feeling Round Down?  Say no more.  Let’s Round Up.

Procrastinator’s Special:  Several weeks in one.

Week 3: Jeremy Wine and his band of merry Rewrites

Week 3 of our full-length reading cycle continued with a constantly-changing read of Pre-Fabricated Homes, a play about iffy construction, having sex with national parks, and a man curiously called “Jeff”.  Jeremy Wine’s play is the best play ever written in the known world.

Full disclaimer: Jeremy Wine wrote most or all of this.

Week 4: Fearsome Frank, by Tim Duncheon, and his pocket pal, Marbles.

We were whisked away, island to island, to the year 1589.  Fearsome Frank is most likely a true story, or semi-true, but it’s certainly musical and pants-immolatingly funny.  A case of mistaken identity leads inevitably to sword and word play, the immaculate Concepcion, and a spot marked by an X.  It’s a musical with depth.

Ba-dum-dum.

Week 5: Exposing Yourself in Public

The first of several Submission Salons, Lather, Rinse, Repeat’s version of Career Night.  We came, we whiteboarded, we solicited ourselves.  It wasn’t pretty.  We are forming a nice little playwright’s helper system for professional development that will one day be shared with the world at large, solving all of American Theatre’s problems.  And we ate pizza.

Week 6: L’Aubergiste by the always happenin’ Natalie Wilson

This house has a mad crush.  It likes you, Jeanine.  It really, really likes you.  Jeanine.  Sure, Bernadette has been going steady with the house for the past trillion years, but it was a good run.  Jeanine.  This house really digs you, if you know what I mean.

Meanwhile, In a Land Not Unlike This Land…

Lather, Rinse, Repeat playwrights have all kinds of frothy action out there.  Not the least of which:  Caps Lock Theatre’s Pussyfest III: The Reckoning.  This year’s installment features a heady brew of LRR playwrights, including Tim Duncheon, Tim Errickson, Isaac Rathbone, Mila Golubov, Natalie Wilson, Jeremy Wine, and Jen Browne.  The line-up this year is stellar–get your tickets for November 2nd, 3rd, and the 10th or you’ll be THAT PERSON that DIDN’T GO.  Don’t be THAT PERSON.  Buy tickets at THIS PLACE.

This is not a drill.

Furthermore, our most beloved Isaac Rathbone will have his LRR-developed play The Gnome produced at the estimable LORT-tastic Barter Theatre early next year.  That’s a world premiere for those of you keeping score at home.  Many more details to come.

LORTLORTLORTLORTLORTLORTLORTLORT

Next Time, Whether As You Like It Or Not:

Issac “Ike” Rathbone brings in his latest Full-length “Fully” Play for a cast of Seasoned “Salty” Actors to read.  This is about that time of year when we stop showering.  Or maybe that’s just me.  I like art.

Pussyfest III – The Reckoning – LRR Playwright Projects

Pussyfest III- The Reckoning

Yes, it’s the 3RD ANNUAL PUSSYFEST!

BUY TICKETS HERE

Lather Rinse Repeat member, Mariah MacCarthy, presents PUSSYFEST III: The Reckoning, coming to a Judson Memorial Church Gym near you on November 2, 3, and 10. That’s right, PUSSYFEST is expanding to THREE nights this year, y’all!

You can hear the work of Jen Browne, Jeremy Wine, Natalie Wilson, Mila Golubov, Tim Duncheon, Isaac Rathbone and Tim Errickson.

PUSSYFEST, in case you didn’t know, is Caps Lock Theatre’s annual fundraising event where playwrights are paired together with actresses and write a custom-made monologue about the body for that performer. This year we have 139, yes, one hundred and thirty-nine artists involved so far!

NOVEMBER 2

Actors: Writers:

Rivka Borek*…………….Sheila Callaghan
Brandi Bravo…………….Charlotte Miller
Holly Chou……………….Christopher Gabriel Nunez
Katelyn Collins…………Winter Miller
Cathy Curtin*……………….Mac Rogers
Dominique Fishback….Mike Daisey
Yeauxlanda Kay*………Daniel John Kelley
Starr Kirkland…………………Tabia Lau
Turna Mete*……………..Tim Duncheon – LRR
Diana Oh………………..Don Nguyen
Anna Rahn*……………..Joshua Bastian Cole
Heather Lee Rogers….Catya McMullen
Gwen Sisco………………Kevin R. Free
Alisha Spielmann*…….Maggie-Kate Coleman
Sara Thigpen*………….Kristine M. Reyes
Lindsay Melin Torrey*..Eric Dufault
Priti Trivedi………………Alex Borinsky
Raychel Wagner………Kari Bentley-Quinn
Stephanie Willing……..Krista Knight
Rachel Yong……………Enrique Urueta
Kara Young…………………..Tim Errickson – LRR

Directors:

Jill DeArmon
Michael Padden
Anna Strasser
Aimee Todoroff
Megan Weaver

Musical Guest:
Diana Oh is GOING ROGUE
NOVEMBER 3

Actors: Writers:

Shyko Amos*…………………Johnna Adams
Hanna Cheek*………………..Clay McLeod Chapman
Heather E. Cunningham*…Sarah Bernstein
Emily Daly*………………Duncan Pflaster
Jenny Gomez………………..Amina Henry
Megan Hill*……………………Nick Leavens
Anita Holland………………….Nat Cassidy
Layla Khoshnoudi…………..Sarah Todes
Catherine LeFrere*………….Lucy Gillespie
Mariana Newhard…………..Chiara Atik
Colleen O’Connor……………Chisa Hutchinson
Kelley Rae O’Donnell*…….Kathleen Warnock
Hye Yun Park…………………Neil Levi
Cristina Pitter………………….Lisa Huberman
Laura Ramadei………………Lucy Teitler
Diana Stahl……………………Laura Hirschberg
Lilli Stein*………………………Isaac Rathbone – LRR
Jennifer Gordon Thomas…Leah Nanako Winkler
Samantha Fairfield Walsh……………………………Mila Golubov – LRR
Directors:

Jaki Bradley
Liz Carlson
Christopher Diercksen
Molly Marinik
Courtney Ulrich
Musical Guest:
Melissa Lusk
NOVEMBER 10

Actors: Writers:

Amelia Campbell*…………..Natalie Zutter
Becky Byers*………………….Tyler Rivenbark
Jody Christopherson*………Martyna Majok
Michelle Concha…………….Gina Femia
Leah Dietrich…………………Pia Wilson
Louise Flory…………………..Zhu Yi
Kim Gainer*…………………..Clare Barron
Christianne Greiert*…………Emily Peters
Jennifer Harder………………Chris Sullivan
Kana Hatakeyama………….Tinka Jonakova
Homa Hynes………………….J. Stephen Brantley
Susan Louise O’Connor*………………..Natalie Wilson – LRR
Sarah Matteucci……………..Kim Yaged
Briana Packen*………………Jeremy Wine – LRR
Stacey Raymond*…………..Jen Browne – LRR
Heather Robb………………..Jose Rivera
Sydney Mei Ruf-Wong…….Alden Moore
Moira Stone*…………………Jean Marie Keevins
Shannon Marie Sullivan*…Melissa Gordon
Hannah Vaughn……………..Jesse Geguzis
Directors:

Tasha Gordon-Solmon
Lillian Meredith
Kyle Metzger
Kelly O’Donnell
Leta Tremblay
Musical Guest:
Anna/Kate

Associate Producers:
Daniel John Kelley and Sarah Matteucci